No Release

Short Film

2025

After their release from prison, two migrant men are confronted with a new form of punishment: constant surveillance through GPS ankle monitors, imposed by the UK immigration system. The film is an adaptation of research and interviews conducted by Dr Monish Bhatia as part of the project Immigration, location tracking and control, funded by a British Academy Mid-Career Fellowship.

No Release uncovers the long-term impacts of state control on the body, mind, and identity — from mandatory sign-ins, curfews and exclusions, to the psychological toll of being on a tag, subjected to 24/7 monitoring with no upper limit on time, and treated like a criminal long after the sentence has been served. The film also exposes the enduring fear of deportation, the erosion of dignity, and the violence of a system that punishes without end.

The film is an act of solidarity with those targeted by intersecting systems of immigration control and criminal justice, revealing how poverty, displacement, and lack of citizenship, along with gender and racialisation of risk, add to the bitterly punitive treatment of migrants. No Release lays bare the machinery of surveillance and exclusion that inflicts suffering and makes rebuilding life nearly impossible.

Screening

22nd September 2025

Venue
BLOC Cinema, Queen Mary University, London

BÉZNĂ Theatre and the International State Crime Initiative present

No Release Short film screening + Q&A

with Dr. Monish Bhatia and Sînziana Cojocărescu,

Book for FREE

CAST
Idris – Farshid Rokey

Rafael – Janeks Babidorics

CREATIVE TEAM
Writer and Director – Sînziana Cojocărescu

Academic – Dr. Monish Bhatia

Director of Photography – Tom Pilling

Assistant Director / Script Supervisor – Katia Hiver

Sound Engineer – Adina Istrate

Make-Up and Prosthetics – Sofia Paradis

Make-Up Assistant – Alessandra Police

Editor and Colourist – Akhil Kumar

Drawings – iulia isar

Voices – Claire Gilbert, Elias Lattimer, Sînziana Cojocărescu

Producer – Claire Gilbert for BÉZNĂ Theatre

Produced by BÉZNĂ Theatre

Funded by the British Academy and the University of York

With thanks to Lazuli Dimofte Crawford

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